Pieces by Victoria Horne

Kate Eichhorn, Adjusted Margin: Xerography, Art and Activism in the Late Twentieth Century (Cambridge, MA: MIT Press, 2016). 216pp., £21.95 hb., 978 0 26203 396 1 The punning title of Kate Eichhorn’s book refers to the ‘somewhat audacious argument’ at its core: that the xerographic (or dry photocopying) machine played an overlooked but decisive role […]

REVIEWS Universalizing the ayllu José Aricó, Marx and Latin America, trans. David Broder, Haymarket, Chicago, 2015. lii + 152 pp., £20.00 pb., 978 16 08 46411 1; Álvaro García Linera, Plebeian Power: Collective Action and Indigenous, Working-Class and Popular Identities in Bolivia, selection and introduction by Pablo Stefanoni, trans. Shana Yael Shubs et al., Haymarket, […]

ExHiBiTiON Institutional dissonance Tate Britain, BP and Socialist–Feminist HistoryDave Beech’s review of Tate Liverpool’s exhibition Art Turning Left: How Values Changed Making 1789–2013 (‘A Blockbuster for the Left’, RP 184) assessed the usefulness of the exhibition form for presenting the complex histories of left-wing politics and their intersections within art practice. Two concurrent exhibitions at […]