Posts tagged ‘aesthetics’
The Autonomy of the Aesthetic Process
With introduction by Bruno Bosteels
by Alain Badiou / RP 178 (Mar/Apr 2013)
After achieving considerable critical acclaim with Almageste and Portulans – two avant-garde novels that promptly caught the attention of his long-time intellectual model Jean-Paul Sartre – Alain Badiou published ‘The Autonomy of the Aesthetic Process’, his first work as a philosopher.1 Written in 1965 as part of a seminar presented under the aegis of his [...]
Strategies of distinction
Rancière’s Aisthesis and the two regimes of art
by Nicolas Vieillescazes / RP 177 (Jan/Feb 2013)
At the root of Jacque Rancière’s work lies a gesture of dissociation: to unfasten the people, the poor and the proletariat from the Marxist discourses to which they were so firmly fixed that one might think them to be sewn from the same cloth; to reveal the will to mastery and domination inherent in the [...]
Claire Fontaine
Giving shape to painful things
by Claire Fontaine, Andrew Culp and Ricky Crano / RP 175 (Sep/Oct 2012)
Parisian artist Claire Fontaine is a fraud, a forgery, her name casually lifted from a generic brand of school notebooks, her existence only present in the art that bears her signature. She was first brought to life in 2004 by Fulvia Carnevale and James Thornhill. She resides now in the neon gas, the video pixels, [...]
Who Was Oscar Masotta? Response to Derbyshire
Letter
by Daniel R. Quiles / RP 164 (Nov/Dec 2010)
Philip Derbyshire (‘Who Was Oscar Masotta? Psychoanalysisin Argentina’, RP 158) should be commended for his insightful consideration of the literary and psychoanalytic writings of Oscar Masotta, one of the most important Argentine intellectuals of the 1960s and 1970s. I would like to make a case for juxtaposing these texts with Masotta’s idiosyncratic and interdisciplinary explorations [...]
Notes on the photographic image
Dossier: Undoing the Aesthetic Image, with an introduction by Peter Osborne
by Jacques Ranciere / RP 156 (Jul/Aug 2009)
People exposed, people as extras
Dossier: Undoing the Aesthetic Image, with an introduction by Peter Osborne)
by Georges Didi-Huberman / RP 156 (Jul/Aug 2009)
Body without image: Ernesto Neto’s Anti-Leviathan
Dossier: Undoing the Aesthetic Image, with an introduction by Peter Osborne)
by Éric Alliez / RP 156 (Jul/Aug 2009)
This is not my body
Dossier: Undoing the Aesthetic Image (with an introduction by Peter Osborne)
by Elisabeth Lebovici / RP 156 (Jul/Aug 2009)
Commodity aesthetics revisited
Exchange relations as the source of antagonistic aesthetization
by Wolfgang Fritz Haug / RP 135 (Jan/Feb 2006)
The sublime from Lyotard to Schiller
Two readings of Kant and their political significance
by Jacques Ranciere / RP 126 (Jul/Aug 2004)
Deleuze and Neo-aesthetics,Tate Modern, 21–22 September 2001
by Jon Beasley-Murray / RP 111 (Jan/Feb 2002)
New German aesthetic theory
Martin Seel’s art of diremption
by Austin Harrington / RP 109 (Sep/Oct 2001)
The Autonomy of the Aesthetic Process
With introduction by Bruno Bosteels
by Alain Badiou / RP 178 (Mar/Apr 2013)
After achieving considerable critical acclaim with Almageste and Portulans – two avant-garde novels that promptly caught the attention of his long-time intellectual model Jean-Paul Sartre – Alain Badiou published ‘The Autonomy of the Aesthetic Process’, his first work as a philosopher.1 Written in 1965 as part of a seminar presented under the aegis of his [...]
Strategies of distinction
Rancière’s Aisthesis and the two regimes of art
by Nicolas Vieillescazes / RP 177 (Jan/Feb 2013)
At the root of Jacque Rancière’s work lies a gesture of dissociation: to unfasten the people, the poor and the proletariat from the Marxist discourses to which they were so firmly fixed that one might think them to be sewn from the same cloth; to reveal the will to mastery and domination inherent in the [...]
Claire Fontaine
Giving shape to painful things
by Claire Fontaine, Andrew Culp and Ricky Crano / RP 175 (Sep/Oct 2012)
Parisian artist Claire Fontaine is a fraud, a forgery, her name casually lifted from a generic brand of school notebooks, her existence only present in the art that bears her signature. She was first brought to life in 2004 by Fulvia Carnevale and James Thornhill. She resides now in the neon gas, the video pixels, [...]
Who Was Oscar Masotta? Response to Derbyshire
Letter
by Daniel R. Quiles / RP 164 (Nov/Dec 2010)
Philip Derbyshire (‘Who Was Oscar Masotta? Psychoanalysisin Argentina’, RP 158) should be commended for his insightful consideration of the literary and psychoanalytic writings of Oscar Masotta, one of the most important Argentine intellectuals of the 1960s and 1970s. I would like to make a case for juxtaposing these texts with Masotta’s idiosyncratic and interdisciplinary explorations [...]
Notes on the photographic image
Dossier: Undoing the Aesthetic Image, with an introduction by Peter Osborne
by Jacques Ranciere / RP 156 (Jul/Aug 2009)
People exposed, people as extras
Dossier: Undoing the Aesthetic Image, with an introduction by Peter Osborne)
by Georges Didi-Huberman / RP 156 (Jul/Aug 2009)
Body without image: Ernesto Neto’s Anti-Leviathan
Dossier: Undoing the Aesthetic Image, with an introduction by Peter Osborne)
by Éric Alliez / RP 156 (Jul/Aug 2009)
This is not my body
Dossier: Undoing the Aesthetic Image (with an introduction by Peter Osborne)
by Elisabeth Lebovici / RP 156 (Jul/Aug 2009)
Commodity aesthetics revisited
Exchange relations as the source of antagonistic aesthetization
by Wolfgang Fritz Haug / RP 135 (Jan/Feb 2006)
The sublime from Lyotard to Schiller
Two readings of Kant and their political significance
by Jacques Ranciere / RP 126 (Jul/Aug 2004)
Deleuze and Neo-aesthetics,Tate Modern, 21–22 September 2001
by Jon Beasley-Murray / RP 111 (Jan/Feb 2002)
New German aesthetic theory
Martin Seel’s art of diremption
by Austin Harrington / RP 109 (Sep/Oct 2001)
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