Transcendental cinema: Deleuze, time and modernity
In the preface to the English edition of Cinema 2, Deleuze claims that cinema is a repetition, in speededup form, of an experience that has already occurred in the history of philosophy. [1] This notion of repetition recalls the biological notion of the ‘recapitulation’ of phylogeny in ontogeny: individual development recapitulates, or replays in speeded-up […]
