As flowers turn towards the sun: Walter Benjamin’s Bergsonian image of the past

Benjamin’s theses ‘On the Concept of History’, the final precipitate of the unfinished Arcades Project, was intended to strike at the fundamental pil ars of a thought complicit in its times. [1] On the seventieth anniversary of the Ribbentrop–Molotov pact, which prompted its drafting, it is tempting to question the attraction of this set of […]