Universalizing the ayllu

REVIEWS Universalizing the ayllu José Aricó, Marx and Latin America, trans. David Broder, Haymarket, Chicago, 2015. lii + 152 pp., £20.00 pb., 978 16 08 46411 1; Álvaro García Linera, Plebeian Power: Collective Action and Indigenous, Working-Class and Popular Identities in Bolivia, selection and introduction by Pablo Stefanoni, trans. Shana Yael Shubs et al., Haymarket, […]

Art, documentary and the essay film

Dossier: Philosophy of the Essay Film

Dossier PHILOSOPHY OF tHE ESSAY FILM Art, documentary and the essay film Esther LeslieFilm as document The moment when Siegfried Kracauer knew that he wanted to write of film as what he terms the ‘Discover of the Marvels of Everyday Life’ is relayed in his introduction to the Theory of Film from 1960.1 Kracauer recalls watching a […]

The history of cinema, as experience

Dossier: Philosophy of the Essay Film

The history of cinema, as experience christa BlümlingerFilm as metahistory In 1998 at the Cannes Film Festival, Jean-Luc Godard – having completed his Histoire(s) du cinéma project – presented a special reprint of the magazine Trafic. This included an article by the American artist Hollis Frampton. [1] Frampton’s essay, ‘For a Metahistory of Film: Commonplace Notes […]

192 reviews

REVIEWS Universalizing the ayllu José Aricó, Marx and Latin America, trans. David Broder, Haymarket, Chicago, 2015. lii + 152 pp., £20.00 pb., 978 16 08 46411 1; Álvaro García Linera, Plebeian Power: Collective Action and Indigenous, Working-Class and Popular Identities in Bolivia, selection and introduction by Pablo Stefanoni, trans. Shana Yael Shubs et al., Haymarket, […]

Disappeared

at stake, it is claimed, was ‘an experience of the unknowable – or, at least, the discursively unknowable … a way of undergoing, a giving of self and a completion of thought.’ He quotes a fragment of Aristotle that distinguishes between two types of knowing, the didactic (or discursive) and the initiatory (Kerényi refers to […]