The tragedy of listening: Nono, Cacciari, critical thought and compositional practice

Music and philosophy follow the same principle of working, that of construction and deconstruction. They are both systems for arriving at a poetical structure. Massimo Cacciari1Luigi Nono (1924–1990) occupies a key place in the development of contemporary music. Conventional accounts identify him as the composer who in the 1950s most coherently confronted the implications of […]

The sublime from Lyotard to Schiller: Two readings of Kant and their political significance

The sublime from Lyotard to Schiller Two readings of Kant and their political significance Jacques rancière I will here offer a few reflections on a paradoxical object that Jean-François Lyotard puts at the centre of aesthetic theory: the aesthetic of the sublime. Two closely interconnected questions will be raised: What makes this theoretical construction possible? […]

What is feminist phenomenology?: Thinking birth philosophically

What is feminist phenomenology? Thinking birth philosophically Johanna oksala In one curious and exceptional fragment from 1933 Husserl discusses sexuality phenomenologically. Even if his taciturnity and his heterosexual prejudices concerning sexuality hardly make him a very original thinker on the topic, this fragment is interesting in relation to the question of the phenomenological importance of […]

Surplus consciousness: Houellebecq’s novels of ideas

Surplus consciousness Houellebecq’s novels of ideas Martin ryle Michel Houellebecqʼs fiction is said to be selling better outside France than that of any French novelist since Camus. Atomised (1999) and Platform (2001), his two more recent novels, appeared in English within a year of their publication. [1] The comparison some reviews have drawn with Camus […]

Demanding Deleuze

Demanding Deleuze Keith ansell pearson The Shortest Shadow and The Puppet and the Dwarf are the first two books in a new series edited by Slavoj Žižek entitled ʻShort Circuitsʼ.* In his seriesʼ foreword Žižek proposes that the shock of short-circuiting provides one of the best metaphors for a critical reading. His proposal is that […]

The reproach of abstraction

The reproach of abstraction Peter osborne This is a paper about abstraction, in particular, but by no means exclusively – and this ʻby no means exclusivelyʼ is a large part of its point – philosophical abstraction.* It is concerned at the outset with what might be called the reproach of abstraction: the commonly held view, […]

Karatani’s Marxian parallax

One of the rarely noticed historical ironies of the twentieth century was the effort of societies located on the capitalist periphery – outside of Euro-America – to resort to a philosophy which had no place for them in order to explain their entry into and experience of capitalist modernization. Japan led the way in this […]

The cyborg mother

The cyborg mother Jaimie Smith-Windsor31 January 2003. The birth of my daughter, Aleah Quinn Smith-Windsor. A few days after Quinn was born this quotation appeared, written beside her incubator: ʻEvery blade of grass has an angel that bends over it and whispers: grow, grow.ʼ It was a near-fatal birth. Quinn was born at 24½ weeksʼ […]

Transcendental cinema: Deleuze, time and modernity

In the preface to the English edition of Cinema 2, Deleuze claims that cinema is a repetition, in speededup form, of an experience that has already occurred in the history of philosophy. [1] This notion of repetition recalls the biological notion of the ‘recapitulation’ of phylogeny in ontogeny: individual development recapitulates, or replays in speeded-up […]

On Bergson’s metaphysics of time

The last two decades have seen a revival of interest in the work of Henri Bergson (1859–1941), in large part because of its role in the writings of Gilles Deleuze. However, it has been a noteworthy characteristic of the new Bergsonism (or Deleuze-Bergsonism) that it has proceeded more or less as if earlier criticisms of […]

W.G. Sebald and the modern art of memory

W.G. Sebald and the modern art of memory Stewart martin been repressed within cultural consciousness, but with what has been repressed by the dominant scenes and institutions of memory, with what the memory of the repressed itself represses. This is controversial but also timely, as the recent commemorations of the bombing of Dresden indicate. It […]