Elasticity of demand: Reflections on 'The Wire'

Can’t reason with the pusherman. Finance is all that he understands. Curtis Mayfield, ‘Little Child Runnin’ Wild’ David Simon and Edward Burns’s TV series The Wire (HBO, 2002–08) opens with a killing and builds from there, over five seasons and sixty hours of television. What it narrates is the present life of a neoliberalized postindustrial […]

On Rem Koolhaas

and fleeting; the city as empty spaces, panic, insecurity, screams and rags, infrastructural parasitism, and so on. The postmodern, a fundamental category in regard to Koolhaas, which he had already inaugurated in his retroactive manifesto for Manhattan, Delirious New York, is here defined as an irreversible category and as a way of seeing the present. […]

After life: De anima and unhuman politics

After life De anima and unhuman politics Eugene thacker Since the 1960s, the NASA programme has supported research into the exploration of life on other planets. Currently, their astrobiology programme involves multiple institutions and research programmes, including the NASA Astrobiology Institute. Its mission statement defines astrobiology as ‘the study of the origins, evolution, distribution, and […]

Notes on the photographic image

Dossier: Undoing the aesthetic image

Notes on the photographic image Jacques rancière In the relation between art and image, photography has played a symptomatic and often paradoxical role. Baudelaire made of it the sinister instrument of the triumph of technical reproduction over artistic imagination. And yet we also know of the long struggle of photographers (pictorialistes) to affirm that photography […]

Undoing the aesthetic image: Dossier: Undoing the Aesthetic Image (introduction)

Dossier: Undoing the aesthetic image

Dossier Undoing the aesthetic image The displacement of critical energies from politics into aesthetics has a history as long as that of aesthetics itself. Indeed, a case can be made that in its immediately post-Kantian formation ‘aesthetics’ simply is the name for the displacement of political desire into a philosophical discourse about the structure of […]

People exposed, people as extras

Dossier: Undoing the aesthetic image

People exposed, people as extras Georges Didi-Huberman The title of the first film shown in history is La Sortie des usines Lumière – in English, ‘Workers Leaving the Lumière Factory’. On 22 March 1895, in the rue de Rennes in Paris, in front of about two hundred spectators, Auguste and Louis Lumière showed for the […]

Body without image: Ernesto Neto’s Anti-Leviathan: Dossier: Undoing the Aesthetic Image

Dossier: Undoing the aesthetic image

Body without image Ernesto Neto’s Anti-Leviathan Éric alliez [T]he great Leviathan is that one creature in the world which must remain unpainted to the last. Herman Melvil e, Moby-DickThe IMAGE-grip is dislocated and a more fundamental element emerges … in short, IMAGE is not the work’s supreme motive or unifying end. Hélio Oiticica, Block Experiments […]

This is not my body

Dossier: Undoing the aesthetic image

This is not my body Elisabeth lebovici Indeed there are not two genders, there is only one, the feminine, the ‘masculine’ not being a gender. For the masculine is not the masculine but the general. [1] These two sentences, written by Monique Wittig in 1983, pronounce a regime of visibility and invisibility for the feminine […]

William James: An ethics of thought?

William James An ethics of thought? Isabelle stengers William James’s pragmatism, and in particular the thesis according to which the sole truth of ideas is the difference that they make, and therefore also the interest that they create, has often been felt to be an offence by those who consider themselves to be engaged ‘for’ […]

Theatre and the public: Badiou, Rancière, Virno

Theatre and the public Badiou, Rancière, Virno Simon bayly and ‘relational’ turn in contemporary art practice. The claim restaged here is that the theatrical is still what makes a political problem of something like ‘the public’, which in many contemporary philosophical understandings no longer appears at all. Making public The lack of the appearance of […]

The involution of photography

The involution of photography Andrew fisher As we settle further into the era of digital media and globalized visual culture, it might be tempting to think that photography holds no more than historical interest. Yet it continues to feature in debates with considerable significance for the present. [1] The terms by which it was negotiated […]

Rhizome: (With no return)

Dossier: From Structure to Rhizome: Transdisciplinarity in French Thought (2)

In the invitation to speakers for the conference From Structure to Rhizome, we suggested that talks might set out by re-examining (and hence ‘re-founding’) texts that we qualified – in far too rapid and expeditious a fashion – as ‘founding’. But we did not make this suggestion without being conscious of the difficulty involved in […]

History: (Problem with)

Dossier: From Structure to Rhizome: Transdisciplinarity in French Thought (2)

If the philosopher’s role is to forge concepts, the historian’s function is to provide proof of their pertinence. However, this presupposes that the historian uses the concept correctly, taking into consideration the conditions that formed it. A truly transdisciplinary approach makes this possible, thanks to its rigorous method, whereas an interdisciplinary approach is merely a […]

Theory: (Madness of)

Dossier: From Structure to Rhizome: Transdisciplinarity in French Thought (2)

Forty years or so after it initially rose as a rather new name for a rather new thing, theory is still an obtruse signifier, troubling and floating, requiring we go back to basics. Theory as we most often understand it today is the name given by the English-speaking intellectual community to a certain type of […]

Subject: (Re-/decentred)

Dossier: From Structure to Rhizome: Transdisciplinarity in French Thought (2)

Modern French thought, ‘structuralism’, ‘poststructuralism’, ‘postmodernism’, Marxism as well, are currently associated with the so-called ‘death of the subject’. Foucault’s ‘anti-humanism’, the celebrated ‘death of Man’, the declining popularity of the rational, Kantian, transcendantal subject, reigning over what Lyotard called ‘metanarratives’, [1] are all parts of the process. Foucault’s rejection of the subject is unequivocally […]

Who was Oscar Masotta?: Psychoanalysis in Argentina

Who was Oscar Masotta? Psychoanalysis in Argentina Philip derbyshire As Manuel Vázquez Montalbán’s sardonic detective Pepe Carvalho ruefully observed, in a dictionary of Argentine clichés, psychoanalysis would have a crucial place, along with ‘tango and the disappeared’. [1] ‘One’ knows that along with Paris, Buenos Aires is one of the centres of psychoanalytic practice, and […]

As flowers turn towards the sun: Walter Benjamin’s Bergsonian image of the past

Benjamin’s theses ‘On the Concept of History’, the final precipitate of the unfinished Arcades Project, was intended to strike at the fundamental pil ars of a thought complicit in its times. [1] On the seventieth anniversary of the Ribbentrop–Molotov pact, which prompted its drafting, it is tempting to question the attraction of this set of […]