New German aesthetic theory: Martin Seel’s art of diremption
A central preoccupation of German aesthetic theorists over the last thirty years has been with the social and political truth-potential of works of art. Drawing on the distinctively Idealist and post-Idealist tradition of German philosophy since Hegel and the early romantics up to Heidegger, Gadamer and Adorno, several theorists have argued that works of art […]
