Strategies of distinction: Rancière's Aisthesis and the two regimes of art
Strategies of distinction Rancière’s Aisthesis and the two regimes of art Nicolas vieillescazes At the root of Jacque Rancière’s work lies a gesture of dissociation: to unfasten the people, the poor and the proletariat from the Marxist discourses to which they were so firmly fixed that one might think them to be sewn from the […]
