Emmanuel Alloa, Looking Through Images. A Phenomenology of Visual Media, trans. Nils F. Schott (New York: Columbia University Press, 2021). 391pp., £121.00 hb., £30.00 pb., 978 0 23118 792 3 hb., 978 0 23118 793 0 pb. Emmanuel Alloa’s Looking Through Images is an exceptionally ambitious book that attempts nothing less than rethinking the fundamental […]
Sebastian Truskolaski, Adorno and the Ban on Images (London: Bloomsbury, 2021). 232pp., £85.00 hb., £28.99 pb., 978 1 35012 920 7 hb., 978 1 35012 9 221 pb. These notes are from Beethoven’s Fifth Symphony in C Minor, written between 1804 and 1808. Even listeners who do not read music can easily recognise the melody. […]
Tom Holert, Knowledge Beside Itself: Contemporary Art’s Epistemic Politics (Berlin: Sternberg Press, 2020). 278 pp., €22.00 pb., 978 3 94336 597 9 Tom Holert remarks near the beginning of Knowledge Beside Itself that art has traditionally been defined in contradistinction to knowledge, at least scientific or systematic knowledge. How then to understand the proliferation of […]
John Molyneux, The Dialectics of Art (Chicago: Haymarket Books, 2020). 300pp., £17.99 pb., 978 1 64259 131 6 This book is a significant contribution to the Marxist reflection on art. This is not a ‘Marxist history of art’, but a Marxist book about art, composed of various essays, some of a general theoretical character, and […]
Elizabeth Otto, Haunted Bauhaus: Occult Spirituality, Gender Fluidity, Queer Identities, and Radical Politics (Cambridge, MA: The MIT Press, 2019). 282pp., £28.00 hb., 978 0 26204 329 8 I once heard the artist David Shrigley remark that the reason he became an artist was due to an adolescent fascination with art students, particularly those at the […]
TheMeIhod of Max Baphael Art History Set Back on its Feet John Tagg a writer’s production must have the character of a model: it must be able to instruct other writers in their production and, secondly, it must be able to place an improved apparatus at their disposal. This apparatus will be the better, the […]
, > ` V > Ê * Ã « Þ Ê £ ä { Ê Û i L i À É i V i L i À Ê Ó ä ä ä ®ʻ‘But clearly something of socialism and modernism has died, in both […]