The Importance of Stockhausen’s ‘INORI’
• The ImporlaDce of . SlockhauseD’s IINORl’ Gabriel losi2Qvici On Wednesday 23 Octob-e-r-I-=9=’=7=-4=–a-n-e-v-e-n-t-o-t-o-u-t-s-t-a-n-d—–t-~-:-‘o-n-s-t-o~b-e-u-n-de-r-t-a-k=–e-n-,-g-e-s-t-ur-e-s-t-o–b-e-ma-d-e-,-w-o-rds ing artistic importance took place at the London Coliseum: th~ first English performance of Stockhausen’s latest work, Inori, subtitled ‘Adorations for Soloist and Orchestra’. The soloist on this occasion was a mime, the extraordinary Elisabeth Clarke, and I am not sure whether […]