Karatani’s Marxian parallax

One of the rarely noticed historical ironies of the twentieth century was the effort of societies located on the capitalist periphery – outside of Euro-America – to resort to a philosophy which had no place for them in order to explain their entry into and experience of capitalist modernization. Japan led the way in this […]

Walter Benjamin und die Künste, Haus Am Waldsee, Berlin, October 2004–January 2005

News Art in the age of its political reproductionPopulism, Contemporary Art Centre, Vilnius, 8 April–4 June 2005; National Museum of Art, Architecture and Design, Oslo, 15 April–2 September 2005; Stedelijk Museum, Amsterdam, 29 April–28 August 2005; Frankfurter Kunstverein, Frankfurt am Main, 10 May–4 September 2005, www.poppulism2005.com [archive] START KAPITAL, STANDARD (OSLO), 14 April–22 May 2005, […]