Genre without genre

Form, as it is mastered, becomes attenuated; it becomes dissociated from any liturgy, rule, yardstick; the epic is discarded in favour of the novel, verse in favour of prose; there is no longer any orthodoxy, and form is as free as the will of its creator. Gustave Flaubert [1] ‘Just as our literature began with […]

Capitalist Epics

In our recent highlight from RP163, David Cunningham examines the relationship between Lukács’ ‘The Theory of the Novel’ and his later Marxist works, and its asks how we are to read this work today.