The sublime from Lyotard to Schiller

The sublime from Lyotard to Schiller Two readings of Kant and their political significance Jacques rancière I will here offer a few reflections on a paradoxical object that Jean-François Lyotard puts at the centre of aesthetic theory: the aesthetic of the sublime. Two closely interconnected questions will be raised: What makes this theoretical construction possible? […]

The absolute artwork meets the absolute commodity

The absolute artwork meets the absolute commodity Stewart martin Art’s relation to commodification is an unavoidable and entrenched condition for much of the theory, history and practice of art today; so entrenched, in fact, as to have become implicit and assumed for many. Despite this, or perhaps because of it, considerations of this relation have […]