A new world art?

Documenta 11 was one of the most radically conceived events in the history of postcolonial art practice. It is exemplary of the influence of postcolonial discourses on critical art practice over the last twenty years in breaking profoundly with the colonial presuppositions of the nineteenth-century tradition of ethnographic or anthropological exhibitions of non-Western art as […]

‘Joining tracks with the world’

‘Joining tracks with the world’ The impossibility of politics in China Rebecca E. Karl Shortly before the October Revolution, Lenin challenged his comrades: ʻI donʼt know how radical you are or how radical I am. I am certainly not radical enough; that is, one must always try to be as radical as reality itself.ʼ [1] […]