Late style and contrapuntal histories: The violence of representation in Jean-Luc Godard’s Le Livre d’image
If the category ‘late’ has generally served to designate an ever-extending period of Jean-Luc Godard’s filmmaking career – typically dated from his return to cinema at the end of the 1970s when Godard was approaching fifty – with the release of his latest feature, Le Livre d’image: Image et parole [The Image Book: Image and […]
