he often does, inadvertently, the words uttered by Samuel Fuller (playing himself) in Godard’s Pierrot le fou: ‘The ilm is like a battleground: love, hate, action, violence, death.’ Above all, and to judge from the introductory interview, Badiou appears simply to be pleased with the fact that the compiler of these diverse texts, Antoine de […]
The ship sails on
Davidson suggests, rediscovering his orthodoxy, by a working class that is fully conscious of itself and its mission to make a society free of the exploitation that deined the others. The party-form, he weakly insists, is fundamental to its realization. Despite the obvious Hegelian source of such an idealist story, it appears ironically that in […]
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