Radical openness: Chord symbols, musical abstraction and modernism
Radical openness Chord symbols, musical abstraction and modernism Mark abel ‘Would anyone like to suggest a chord?’, said Keith Jarrett, swivelling on the piano stool to face the audience. There were a few shouts from the auditorium such as ‘A minor nine’ and ‘E flat seven sharp eleven’. Jarrett listened distractedly for a few moments, […]
