'Aesthetics' tag archive

Commentary Backwoods musicology Roger Scruton’s aesthetics of music Ben watson Roger Scruton is a right-wing pundit regularly rolled out by the British media to voice ʻbravely unfashionableʼ points of view. After the march against New Labour organized by the Countryside Alliance, he published a book in defence of fox-hunting. However, unlike most backwoods right-wingers, Scruton […]

But if this position rightly demolishes the opposition between art and technological mediation enshrined in late modernist theory1 it nevertheless suffers from its own kind of blindness: the identification of technological mediation with the democratization of form. By subsuming art under technology, this kind of thinking renders the connection between form and ethics harmless or […]

A central preoccupation of German aesthetic theorists over the last thirty years has been with the social and political truth-potential of works of art. Drawing on the distinctively Idealist and post-Idealist tradition of German philosophy since Hegel and the early romantics up to Heidegger, Gadamer and Adorno, several theorists have argued that works of art […]

Niklas Luhmann, who died in 1998 (see Obituary in RP 94), is not widely discussed by social and cultural theorists outside Germany, Switzerland, Austria, Scandinavia and Italy. Yet in Germany his influence rivals and even exceeds that of Habermas in certain reaches of social theory, extending also to philosophers and logicians. More surprisingly, perhaps, he […]

Conference report Rearguard actionImmanent Choreographies: Deleuze and Neo-aesthetics,Tate Modern, 21–22 September 2001 This conference, organized by Tate Modern and Staffordshire University, brought together an impressive array of speakers from the UK (Alexander García Düttmann and Peter Hallward), Europe (Robert Fleck and Pascale Criton), the USA (Dorothea Olkowski and John Rajchman), and Australia (Ian Buchanan), including […]

If for a moment we were to imagine aesthetics as an expansive building that has been worked upon continuously for centuries, that has undergone many redecorations and acquired numerous extensions – letʼs say, as a museum that has become somewhat labyrinthine in the course of time – then we could consider which of its many […]

The sublime from Lyotard to Schiller Two readings of Kant and their political significance Jacques rancière I will here offer a few reflections on a paradoxical object that Jean-François Lyotard puts at the centre of aesthetic theory: the aesthetic of the sublime. Two closely interconnected questions will be raised: What makes this theoretical construction possible? […]

Obituary Counter-traditionalist Susan Sontag, 1933–2004 In the prefatory note to her first collection of critical writings, Against Interpretation (1966), Susan Sontag reflected that ʻin the end, what I have been writing is not criticism at all, strictly speaking, but case studies for an aesthetic, a theory of my own sensibilityʼ. The statement holds true for […]

Thus much of this, will make black white; foul, fair…This line from Shakespeare figures in a longer quotation in Marxʼs Capital, in the chapter on hoarding. The sentence to which the footnote with the Shakespeare quotation is attached, reads: ʻJust as in money every qualitative difference between commodities is extinguished, so too, for its part, […]

Notes on the photographic image Jacques rancière In the relation between art and image, photography has played a symptomatic and often paradoxical role. Baudelaire made of it the sinister instrument of the triumph of technical reproduction over artistic imagination. And yet we also know of the long struggle of photographers (pictorialistes) to affirm that photography […]

People exposed, people as extras Georges Didi-Huberman The title of the first film shown in history is La Sortie des usines Lumière – in English, ‘Workers Leaving the Lumière Factory’. On 22 March 1895, in the rue de Rennes in Paris, in front of about two hundred spectators, Auguste and Louis Lumière showed for the […]

Body without image Ernesto Neto’s Anti-Leviathan Éric alliez [T]he great Leviathan is that one creature in the world which must remain unpainted to the last. Herman Melvil e, Moby-DickThe IMAGE-grip is dislocated and a more fundamental element emerges … in short, IMAGE is not the work’s supreme motive or unifying end. Hélio Oiticica, Block Experiments […]

This is not my body Elisabeth lebovici Indeed there are not two genders, there is only one, the feminine, the ‘masculine’ not being a gender. For the masculine is not the masculine but the general. [1] These two sentences, written by Monique Wittig in 1983, pronounce a regime of visibility and invisibility for the feminine […]

Philip Derbyshire (‘Who Was Oscar Masotta? Psychoanalysis in Argentina’, RP 158) should be commended for his insightful consideration of the literary and psychoanalytic writings of Oscar Masotta, one of the most important Argentine intellectuals of the 1960s and 1970s. I would like to make a case for juxtaposing these texts with Masotta’s idiosyncratic and interdisciplinary […]