The rhythm of alterity: Levinas and aesthetics

The rhythm of alterity Levinas and aestheticsgary peters The evocative remarks of Emmanuel Levinas on art and rhythm have received little attention. In opening the question of the aesthetic, indeed the questionable nature of the aesthetic for Levinas, the intention here is to redress the balance at a time when the ethical dimension of his […]

The new Bergsonism: Discipline, subjectivity and freedom

This article is intended to raise a number of connected issues. It concludes by suggesting that certain theories of self-organization, in particular the theory of autopoiesis developed by Humberto Maturana, Francisco Varela and, latterly, Fritjof Capra, might help us to reassess how we view the relationship between discipline, subjectivity and freedom. However, the first half […]

Does phenomenology have a future?

Writing towards the end of his life, the outlook for phenomenology seemed bleak even to Husserl: ʻPhilosophy as science, as serious, rigorous, indeed apodictically rigorous science – the dream is over.ʼ [1] This apparently gloomy assessment was echoed, some three decades later, by Heidegger, who observed, also towards the end of his life, that the […]

Justification or affirmation?

Christian Kerslake is perfectly right to characterize Deleuzeʼs project as ʻa philosophy of the absoluteʼ, and in particular as one conceived in more or less direct competition with that of Hegel (ʻThe Vertigo of Philosophyʼ, RP 113). He is wrong, however, to emphasize the fundamentally discontinuous evolution of this philosophy, from an early period supposedly […]

On Bergson’s metaphysics of time

The last two decades have seen a revival of interest in the work of Henri Bergson (1859–1941), in large part because of its role in the writings of Gilles Deleuze. However, it has been a noteworthy characteristic of the new Bergsonism (or Deleuze-Bergsonism) that it has proceeded more or less as if earlier criticisms of […]

William James: An ethics of thought?

William James An ethics of thought? Isabelle stengers William James’s pragmatism, and in particular the thesis according to which the sole truth of ideas is the difference that they make, and therefore also the interest that they create, has often been felt to be an offence by those who consider themselves to be engaged ‘for’ […]

As flowers turn towards the sun: Walter Benjamin’s Bergsonian image of the past

Benjamin’s theses ‘On the Concept of History’, the final precipitate of the unfinished Arcades Project, was intended to strike at the fundamental pil ars of a thought complicit in its times. [1] On the seventieth anniversary of the Ribbentrop–Molotov pact, which prompted its drafting, it is tempting to question the attraction of this set of […]