Michel Serres, 1930–2019

In Serres’s works, the table of method is the method, the idea is its own image, the code is already overcoded. Serres cannot be commented but only stuttered. A repetition won’t add anything to a text that knows better than anyone how to repeat itself in its innovations, or how to innovate by repeating itself. […]

French philosophy today

Reivew of Christopher Watkin, French Philosophy Today
Christopher Watkin, French Philosophy Today: New Figures of the Human in Badiou, Meillassoux, Malabou, Serres and Latour (Edinburgh: Edinburgh University Press, 2016). 272pp., £24.99 pb., 978 1 47441 473 9 Following an earlier study of ‘post-theological thinking’ in the work of Alain Badiou, Quentin Meillassoux and Jean-Luc Nancy (2011), Christopher Watkin’s new book on several […]

‘For all that gives rise to an inscription in general’

‘For all that gives rise to an inscription in general’ hans-Jörg Rheinberger * This is a translation of ‘Al es, was überhaupt zu einer Inskription führen kann’, the first chapter of Hans-Jörg Rheinberger, Iterationen [Iterations], Merve Verlag, Berlin, 2005, pp. 9–29. It is published here with the kind permission of Merve Verlag. Its title cites Liechtensteiner […]

180 Reviews: Yvonne Sherratt, Hitler’s Philosophers Sally Alexander and Barbara Taylor, eds., History and Psyche: Culture, Psychoanalysis, and the Past David Joselit, After Art Christoph Menke, Force: A Fundamental Concept of Aesthetic Anthropology Robert Sinnerbrink, New Philosophies of Film: Thinking Images David Webb, Foucault’s Archaeology: Science and Transformation Michel Serres, Biogea & Variations on the Body Laurence Paul Hemming, Heidegger and Marx: A Productive Dialogue over the Language of Humanism Carl Cederström and Peter Fleming, Dead Man Working

Reviews Look at his marvellous hands! Yvonne Sherratt, Hitler’s Philosophers, Yale University Press, New Haven CT and London, 2013. 336 pp., £25.00 hb., 978 0 30015 193 0. Yvonne Sherratt’s book on the response of philosophers to the Third Reich is written in the style of a docudrama. There are colourful descriptions of foliage in […]