Posts tagged ‘Art’
Claire Fontaine
Giving shape to painful things
by Claire Fontaine, Andrew Culp and Ricky Crano / RP 175 (Sep/Oct 2012)
Parisian artist Claire Fontaine is a fraud, a forgery, her name casually lifted from a generic brand of school notebooks, her existence only present in the art that bears her signature. She was first brought to life in 2004 by Fulvia Carnevale and James Thornhill. She resides now in the neon gas, the video pixels, [...]
Captain Beefheart, 1941–2010
Vorticist Artist
by Ben Watson / RP 166 (Mar/Apr 2011)
Ben Watson assesses Beefheart’s work as a protest against those who profit from the very separation of elite and mass music.
Who Was Oscar Masotta? Response to Derbyshire
Letter
by Daniel R. Quiles / RP 164 (Nov/Dec 2010)
Philip Derbyshire (‘Who Was Oscar Masotta? Psychoanalysisin Argentina’, RP 158) should be commended for his insightful consideration of the literary and psychoanalytic writings of Oscar Masotta, one of the most important Argentine intellectuals of the 1960s and 1970s. I would like to make a case for juxtaposing these texts with Masotta’s idiosyncratic and interdisciplinary explorations [...]
Notes on the photographic image
Dossier: Undoing the Aesthetic Image, with an introduction by Peter Osborne
by Jacques Ranciere / RP 156 (Jul/Aug 2009)
Body without image: Ernesto Neto’s Anti-Leviathan
Dossier: Undoing the Aesthetic Image, with an introduction by Peter Osborne)
by Éric Alliez / RP 156 (Jul/Aug 2009)
This is not my body
Dossier: Undoing the Aesthetic Image (with an introduction by Peter Osborne)
by Elisabeth Lebovici / RP 156 (Jul/Aug 2009)
Jeff Wall
Art after photography, after conceptual art
by Jeff Wall and Peter Osborne / RP 150 (Jul/Aug 2008)
A very different context
Dossier: Art and Immaterial Labour (with an introduction by Peter Osborne)
by Peter Osborne / RP 149 (May/Jun 2008)
Art, work and politics in disciplinary societies and societies of security
Dossier: Art and Immaterial Labour
by Maurizio Lazzarato / RP 149 (May/Jun 2008)
documenta 12 magazines project: Debacle
Introduction, The Sublime Whiff of Criticality, Magazines Field, or, the Next Documenta Should be Curated by Magazines, The Big Lie
by Peter Osborne, Radical Culture Research Collective, Patricia Canetti, Leandro de Paula, Dario Corbeira and Irene Montero / RP 146 (Nov/Dec 2007)
Answering the question:What is to be done?
Dossier: documenta 12 magazines project – What is to be done? (education), with an Introduction by Peter Osborne
by David Cunningham / RP 141 (Jan/Feb 2007)
An aesthetic education against aesthetic education
Dossier: documenta 12 magazines project – What is to be done? (education), with an Introduction by Peter Osborne
by Stewart Martin / RP 141 (Jan/Feb 2007)
Doing something and doing nothing
Dossier: documenta 12 magazines project – What is to be done? (education), with an introduction by Peter Osborne
by Esther Leslie / RP 141 (Jan/Feb 2007)
The politics of equal aesthetic rights
Dossier: Spheres of action – Art and politics, with introduction by Peter Osborne
by Boris Groys / RP 137 (May/Jun 2006)
Claire Fontaine
Giving shape to painful things
by Claire Fontaine, Andrew Culp and Ricky Crano / RP 175 (Sep/Oct 2012)
Parisian artist Claire Fontaine is a fraud, a forgery, her name casually lifted from a generic brand of school notebooks, her existence only present in the art that bears her signature. She was first brought to life in 2004 by Fulvia Carnevale and James Thornhill. She resides now in the neon gas, the video pixels, [...]
Captain Beefheart, 1941–2010
Vorticist Artist
by Ben Watson / RP 166 (Mar/Apr 2011)
Ben Watson assesses Beefheart’s work as a protest against those who profit from the very separation of elite and mass music.
Who Was Oscar Masotta? Response to Derbyshire
Letter
by Daniel R. Quiles / RP 164 (Nov/Dec 2010)
Philip Derbyshire (‘Who Was Oscar Masotta? Psychoanalysisin Argentina’, RP 158) should be commended for his insightful consideration of the literary and psychoanalytic writings of Oscar Masotta, one of the most important Argentine intellectuals of the 1960s and 1970s. I would like to make a case for juxtaposing these texts with Masotta’s idiosyncratic and interdisciplinary explorations [...]
Notes on the photographic image
Dossier: Undoing the Aesthetic Image, with an introduction by Peter Osborne
by Jacques Ranciere / RP 156 (Jul/Aug 2009)
Body without image: Ernesto Neto’s Anti-Leviathan
Dossier: Undoing the Aesthetic Image, with an introduction by Peter Osborne)
by Éric Alliez / RP 156 (Jul/Aug 2009)
This is not my body
Dossier: Undoing the Aesthetic Image (with an introduction by Peter Osborne)
by Elisabeth Lebovici / RP 156 (Jul/Aug 2009)
Jeff Wall
Art after photography, after conceptual art
by Jeff Wall and Peter Osborne / RP 150 (Jul/Aug 2008)
A very different context
Dossier: Art and Immaterial Labour (with an introduction by Peter Osborne)
by Peter Osborne / RP 149 (May/Jun 2008)
Art, work and politics in disciplinary societies and societies of security
Dossier: Art and Immaterial Labour
by Maurizio Lazzarato / RP 149 (May/Jun 2008)
documenta 12 magazines project: Debacle
Introduction, The Sublime Whiff of Criticality, Magazines Field, or, the Next Documenta Should be Curated by Magazines, The Big Lie
by Peter Osborne, Radical Culture Research Collective, Patricia Canetti, Leandro de Paula, Dario Corbeira and Irene Montero / RP 146 (Nov/Dec 2007)
Answering the question:What is to be done?
Dossier: documenta 12 magazines project – What is to be done? (education), with an Introduction by Peter Osborne
by David Cunningham / RP 141 (Jan/Feb 2007)
An aesthetic education against aesthetic education
Dossier: documenta 12 magazines project – What is to be done? (education), with an Introduction by Peter Osborne
by Stewart Martin / RP 141 (Jan/Feb 2007)
Doing something and doing nothing
Dossier: documenta 12 magazines project – What is to be done? (education), with an introduction by Peter Osborne
by Esther Leslie / RP 141 (Jan/Feb 2007)
The politics of equal aesthetic rights
Dossier: Spheres of action – Art and politics, with introduction by Peter Osborne
by Boris Groys / RP 137 (May/Jun 2006)
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