Posts tagged ‘Walter Benjamin’
On theoretical foundations: Theses on Brecht
With an Introduction by Andrew McGettigan
by Walter Benjamin and Andrew McGettigan / RP 179 (May/Jun 2013)
Introduction to Walter Benjamin’s ‘Theses on Brecht’ Andrew McGettigan These four short paragraphs, translated here into English for the first time, were sketched out in Walter Benjamin’s hand on a sheet filed alongside a transcript for his radio talk ‘Bert Brecht’, broadcast on Frankfurter Rundfunk in June 1930.1 In content, they resemble ideas developed in other [...]
Voyage au bout de l’ennui
by Alex Dubilet / 2013
After History: Alexandre Kojève as a Photographer, BAK, Utrecht, 20 May–15 July 2012; OCT Contemporary Art Terminal, Shenzhen, 21 September–16 November 2012; Palais de Tokyo, Paris, 17 October 2012–7 January 2013. In a darkened room stand seven podiums, like black treadmills at a standstill. Each faces a digitized photograph projected onto a bare wall. The [...]
174 Reviews
Books Reviewed:
Walter Benjamin, Early Writings, 1910–1917
Theodor Adorno and Max Horkheimer, Towards a New Manifesto
Bernard Stiegler, The Decadence of Industrial Democracies
Miguel Abensour, Democracy against the State: Marx and the Machiavellian Moment
Erika Cudworth and Stephen Hobden, Posthuman International Relations: Complexity, Ecologism and Global Politics
Alison Stone, Feminism, Psychoanalysis, and Maternal Subjectivity
Catherine Malabou, Changing Difference: The Feminine and the Question of Philosophy
Nadir Lahiji, ed., The Political Unconscious of Architecture: Re-opening Jameson’s Narrative
Gillian Howie, Between Feminism and Materialism: A Question of Method
Martin Woessner, Heidegger in America
Chris Danta, Literature Suspends Death: Sacrifice and Storytelling in Kierkegaard, Kafka and Blanchot
by Matthew Charles, Todd Cronan, Tom Bunyard, James D. Ingram, Jessica Schmidt, Christine Battersby, Tamkin Hussain, Douglas Spencer, David Winters, Samantha Frost and Martijn Boven / RP 174 (Jul/Aug 2012)
Elementary
by David Cunningham / 2012
Ben Watson, Adorno for Revolutionaries, Unkant, London, 2011. 217 pp., £10.99 pb., 978 0 95681 760 0. David Cunningham In a much-cited March 1936 letter to Walter Benjamin, Adorno famously remarks of the separation between autonomous art and mass culture that, while both ‘bear the stigmata of capitalism’, and ‘both contain elements of change’, they [...]
Faust on film
Walter Benjamin and the cinematic ontology of Goethe’s Faust 2
by Matthew Charles / RP 172 (Mar/Apr 2012)
Isn’t it an affront to Goethe to make a film of Faust, and isn’t there a world of difference between the poem Faust and the film Faust? Yes, certainly. But, again, isn’t there a whole world of difference between a bad film of Faust and a good one? (Walter Benjamin, Arcades Project, N1a, 4) Whilst the [...]
Occupy Time
by Jason Adams / RP 171 (Jan/Feb 2012)
Until recently a casual observer might have thoght that Occupy had developed a time-management problem: it was increasingly managed by movement a static, essentially timeless image of space. While Occupy Wall Street initially began with the declaration that 17 September would be the starting date and that it would continue for an unspecified period, the [...]
Philosophy for children
by Matthew Charles / RP 170 (Nov/Dec 2011)
A well-orchestrated public relations campaign led primarily by educational charity The Philosophy Shop has helped raise the profile of the philosophy for children movement in the UK significantly over the last few years. Whilst The Philosophy Shop has been promoting its ‘Four Rs’ campaign to make ‘Reasoning’ a central feature of the National Curriculum since [...]
Robinson in Ruins
New materialism and the archaeological imagination
by Paul Dave / RP 169 (Sep/Oct 2011)
Robinson in Ruins (2010) is the third of Patrick Keiller’s fictionalized documentaries featuring the investigations and struggles of his character, the ‘wandering, cracked scholar’ and political visionary, Robinson.1 The first in the trilogy, London, was released in 1994, and the second, Robinson in Space, in 1997. Together they represent, aesthetically and politically, some of the most enlivening [...]
History (Problem with)
From structure to rhizome: transdisciplinarity in French thought (2)
by Michele Riot-Sarcey / RP 167 (May/Jun 2011)
If the philosopher’s role is to forge concepts, the historian’s function is to provide proof of their pertinence. However, this presupposes that the historian uses the concept correctly, taking into consideration the conditions that formed it. A truly transdisciplinary approach makes this possible, thanks to its rigorous method, whereas an interdisciplinary approach is merely a juxtaposition [...]
It was better not to know
Chess News
by Peter Buse / RP 163 (Sep/Oct 2010)
What have we learnt from Andrew McGettigan’s reconstruction (in RP 161) of the photographedSvendborg chess match? In a nutshell, that Brecht played bad moves and Benjaminfailed to take advantage. For those of us who have long cherished the idea of these two playingmatches of the highest standard to match their contributions outside the chess board, [...]
Benjamin and Brecht
Attrition in friendship
by Andrew McGettigan / RP 161 (May/Jun 2010)
Andrew McGettigen on Benjamin and Brecht’s games of chess.
A sudden topicality
Marx, Nietzsche and the politics of crisis
by Peter Osborne / RP 160 (Mar/Apr 2010)
Marx, Nietzsche and the politics of crisis
As flowers turn towards the sun
Walter Benjamin’s Bergsonian image of the past
by Andrew McGettigan / RP 158 (Nov/Dec 2009)
Benjamin’s theses ‘On the Concept of History’, the final precipitate of the unfinished Arcades Project, was intended to strike at the fundamental pillars of a thought complicit in its times.1 On the seventieth anniversary of the Ribbentrop–Molotov pact, which prompted its drafting, it is tempting to question the attraction of this set of notes, not [...]
Notes on the photographic image
Dossier: Undoing the Aesthetic Image, with an introduction by Peter Osborne
by Jacques Ranciere / RP 156 (Jul/Aug 2009)
Flux and flurry
Stillness and hypermovement in animated worlds
by Esther Leslie / RP 152 (Nov/Dec 2008)
On theoretical foundations: Theses on Brecht
With an Introduction by Andrew McGettigan
by Walter Benjamin and Andrew McGettigan / RP 179 (May/Jun 2013)
Introduction to Walter Benjamin’s ‘Theses on Brecht’ Andrew McGettigan These four short paragraphs, translated here into English for the first time, were sketched out in Walter Benjamin’s hand on a sheet filed alongside a transcript for his radio talk ‘Bert Brecht’, broadcast on Frankfurter Rundfunk in June 1930.1 In content, they resemble ideas developed in other [...]
Voyage au bout de l’ennui
by Alex Dubilet / 2013After History: Alexandre Kojève as a Photographer, BAK, Utrecht, 20 May–15 July 2012; OCT Contemporary Art Terminal, Shenzhen, 21 September–16 November 2012; Palais de Tokyo, Paris, 17 October 2012–7 January 2013. In a darkened room stand seven podiums, like black treadmills at a standstill. Each faces a digitized photograph projected onto a bare wall. The [...]
174 Reviews
Books Reviewed:
Walter Benjamin, Early Writings, 1910–1917
Theodor Adorno and Max Horkheimer, Towards a New Manifesto
Bernard Stiegler, The Decadence of Industrial Democracies
Miguel Abensour, Democracy against the State: Marx and the Machiavellian Moment
Erika Cudworth and Stephen Hobden, Posthuman International Relations: Complexity, Ecologism and Global Politics
Alison Stone, Feminism, Psychoanalysis, and Maternal Subjectivity
Catherine Malabou, Changing Difference: The Feminine and the Question of Philosophy
Nadir Lahiji, ed., The Political Unconscious of Architecture: Re-opening Jameson’s Narrative
Gillian Howie, Between Feminism and Materialism: A Question of Method
Martin Woessner, Heidegger in America
Chris Danta, Literature Suspends Death: Sacrifice and Storytelling in Kierkegaard, Kafka and Blanchot
by Matthew Charles, Todd Cronan, Tom Bunyard, James D. Ingram, Jessica Schmidt, Christine Battersby, Tamkin Hussain, Douglas Spencer, David Winters, Samantha Frost and Martijn Boven / RP 174 (Jul/Aug 2012)
Elementary
by David Cunningham / 2012Ben Watson, Adorno for Revolutionaries, Unkant, London, 2011. 217 pp., £10.99 pb., 978 0 95681 760 0. David Cunningham In a much-cited March 1936 letter to Walter Benjamin, Adorno famously remarks of the separation between autonomous art and mass culture that, while both ‘bear the stigmata of capitalism’, and ‘both contain elements of change’, they [...]
Faust on film
Walter Benjamin and the cinematic ontology of Goethe’s Faust 2
by Matthew Charles / RP 172 (Mar/Apr 2012)
Isn’t it an affront to Goethe to make a film of Faust, and isn’t there a world of difference between the poem Faust and the film Faust? Yes, certainly. But, again, isn’t there a whole world of difference between a bad film of Faust and a good one? (Walter Benjamin, Arcades Project, N1a, 4) Whilst the [...]
Occupy Time
by Jason Adams / RP 171 (Jan/Feb 2012)Until recently a casual observer might have thoght that Occupy had developed a time-management problem: it was increasingly managed by movement a static, essentially timeless image of space. While Occupy Wall Street initially began with the declaration that 17 September would be the starting date and that it would continue for an unspecified period, the [...]
Philosophy for children
by Matthew Charles / RP 170 (Nov/Dec 2011)A well-orchestrated public relations campaign led primarily by educational charity The Philosophy Shop has helped raise the profile of the philosophy for children movement in the UK significantly over the last few years. Whilst The Philosophy Shop has been promoting its ‘Four Rs’ campaign to make ‘Reasoning’ a central feature of the National Curriculum since [...]
Robinson in Ruins
New materialism and the archaeological imagination
by Paul Dave / RP 169 (Sep/Oct 2011)
Robinson in Ruins (2010) is the third of Patrick Keiller’s fictionalized documentaries featuring the investigations and struggles of his character, the ‘wandering, cracked scholar’ and political visionary, Robinson.1 The first in the trilogy, London, was released in 1994, and the second, Robinson in Space, in 1997. Together they represent, aesthetically and politically, some of the most enlivening [...]
History (Problem with)
From structure to rhizome: transdisciplinarity in French thought (2)
by Michele Riot-Sarcey / RP 167 (May/Jun 2011)
If the philosopher’s role is to forge concepts, the historian’s function is to provide proof of their pertinence. However, this presupposes that the historian uses the concept correctly, taking into consideration the conditions that formed it. A truly transdisciplinary approach makes this possible, thanks to its rigorous method, whereas an interdisciplinary approach is merely a juxtaposition [...]
It was better not to know
Chess News
by Peter Buse / RP 163 (Sep/Oct 2010)
What have we learnt from Andrew McGettigan’s reconstruction (in RP 161) of the photographedSvendborg chess match? In a nutshell, that Brecht played bad moves and Benjaminfailed to take advantage. For those of us who have long cherished the idea of these two playingmatches of the highest standard to match their contributions outside the chess board, [...]
Benjamin and Brecht
Attrition in friendship
by Andrew McGettigan / RP 161 (May/Jun 2010)
Andrew McGettigen on Benjamin and Brecht’s games of chess.
A sudden topicality
Marx, Nietzsche and the politics of crisis
by Peter Osborne / RP 160 (Mar/Apr 2010)
Marx, Nietzsche and the politics of crisis
As flowers turn towards the sun
Walter Benjamin’s Bergsonian image of the past
by Andrew McGettigan / RP 158 (Nov/Dec 2009)
Benjamin’s theses ‘On the Concept of History’, the final precipitate of the unfinished Arcades Project, was intended to strike at the fundamental pillars of a thought complicit in its times.1 On the seventieth anniversary of the Ribbentrop–Molotov pact, which prompted its drafting, it is tempting to question the attraction of this set of notes, not [...]
Notes on the photographic image
Dossier: Undoing the Aesthetic Image, with an introduction by Peter Osborne
by Jacques Ranciere / RP 156 (Jul/Aug 2009)
Flux and flurry
Stillness and hypermovement in animated worlds
by Esther Leslie / RP 152 (Nov/Dec 2008)



